C R E A T I V E
Writer
[stage + screen]
Lincoln Elliott is a Wiradjuri performer, instrumentalist, writer, composer, and researcher. A NIDA graduate, he also holds with a Bachelor of Music (Hons) and is a current PhD candidate at the University of New England; his research and explores identity and self-determinism in contemporary Australian musical theatre. Lincoln is a passionate advocate for arts accessibility and new Australian work, and regularly joins development workshops for new musicals.
Stage credits include over 60 theatre productions, workshops, and concerts across independent and commercial theatre. Highlights include: My Brilliant Career (Melbourne Theatre Company, Green Room Award: Best Ensemble); Sunshine Super Girl (Melbourne Theatre Company/Performing Lines, Green Room Award nomination); Chimerica (Sydney Theatre Company); The Dismissal and On a Clear Day You Can See Forever (Squabbalogic); Ride the Cyclone, Phar Lap, Being Alive, The Hello Girls, If/Then, Tristan & Isolde, and Silver Tongue (Hayes Theatre Co); Picnic at Hanging Rock (KGM Theatricals, Joe’s Pub NYC); Misery Loves Company (Legit Theatre Co.); Ordinary Days (Alter Ego); Carrie: The Musical (Rock Bottom); 3 Weeks in Spring (Endymion/State Theatre); Nails Must Be Kept Short (Unfunded Empathy); and his own research-based experimental song-cycle Share-House.
On-screen Lincoln can be seen in leading roles in numerous acclaimed short films, feature film The Choice, web-series Flat-Packed (also writer & producer) and upcoming series Maarte (also script/story editor & producer). Voice-over work includes commercials, animation, scripted podcasts, and various audiobooks.
He looks forward to sharing his doctoral research soon, as well as his brand new Australian musical, Artefact (or, Repatriation: The Musical), coming soon!